(b. 1953) Loiza, Puerto Rico
SELECTED PRESS
Canning, Susan, Daniel Lind-Ramos, Sculpture Magazine, September 9, 2020
Meltz-Collazo, Sebastian, The Visual and Sonic Language of Daniel Lind-Ramos' Armario de la Memoria, Garage, April 5, 2020
Mitter, Siddhartha, This Puerto Rican Sculptor Meets Disaster With Spirit, NY Times, April 1, 2020
Wolin, Joseph, Gods of Disaster: the Hieratic Sculptures of Daniel Lind-Ramos, Frieze, March 31, 2020
González, Julián Sánchez, 12 Artists of the Caribbean and Its Diaspora Who Are Shaping Contemporary Art, Artsy.net, July 25, 2019
D’Souza, Aruna, Self, society, tear gas: the museum surveys current American art. 4Columns,
May 24, 2019
Diehl, Travis, Whitney Biennial 2019, Art Agenda, May 24, 2019
Whyte, Murray, A Whitney Biennial that speaks in urgent whispers, Boston Globe, May 23, 2019
Daily News, At New York’s Whitney Museum Biennial, Puerto Rican Artist Daniel Lind-Ramos Stands Out as a Best of Show, BeLatina, May 18, 2019
Smee, Sebastian, The Whitney Biennial presents the best new artists in the country — and lots of fluff, The Washington Post, May 18, 2019
Hoffman, Barbara, Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight, NY Post,
May 17, 2019
Cotter, Holland, The Whitney Biennial: Young Art Cross-Stitched With Politics, NY Times,
May 16, 2019
Soloway, Diane, The Whitney Biennial 2019's Standout Artists Look Backwards, Forwards, All Around Us, W Magazine, May 15, 2019
Saltz, Jerry, The New Whitney Biennial Made Me See Art History in a New Way, Vulture, NY Magazine, May 14, 2019
Yablonsky, Linda, Everything is good at the Whitney Biennial but nothing makes a difference, The Art Newspaper, May 14, 2019
Trouillot, Terence, We Were Seeing and Feeling Anxiety: The Whitney Biennial Curators on How Artists’ Struggle With Debt and Real Estate Shaped the 2019 Show, artnet.com, May 13, 2019